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need to know that I had some desire to do something different . you should know that the first time I heard "I do not know you" of 'Ciusa' I was struck. must know that the Ciusa were a bunch of young punk who was playing in my cousin. you should know that unfortunately you will not find original recordings of the song. need to know, however, that the effect of hearing a child screaming at the microphone obsessively the phrase "I do not know you, go to work" here in the province of Treviso, produced an extraordinary effect. [You know, I say to non venetofoni that the phrase in question is the answer to an adult regularly bangs in the face of a Bocia when disputes when you do not want to get out of bed when you do not want to cut your hair, in short, is a kind of castration minutes total, one hundred percent, without appeal or acquittal]. you should know that affect covers of songs your friends is very rewarding, we must do it more often. you need to know that punk is not dead. and I, except for a cold, I can not complain.

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recently I are very tired, I'm talking mainly about music. There was a time, in its way crazy, glorious in its own way - we had our little myths, our epic , our tragedies and our victories every day - in which he looked with affection to this land. I speak mainly about music. [Superabundance of disadvantaged due to lack of alternative, in the only headquarters of the Piave there will be something like fifty bands. the number, I tell you, is an estimate, but probably is rounded down]. There was a time, and I have lived, and there was well, they look to certain groups of musical experiences as a practical, intensive, significant. my little punk heroes, the Anty- Pasty. progressive rock, but coverizzato purely instrumental, the Collage . the flashes of genius from a band unfortunately suspended between two different souls, metal and poetry, and eventually died of this: the Libra the brilliant Bruno Gasparetto, one of the most honest people I ever met. in other lands, other lands, the Brucalifs more of their music and their approach: the pleasure of making music as well, breaking the sound on the guitar, thinking or are you yourself or you are nothing. There was a time, and I loved, with my music and I seemed to be a part (sometimes, when it was good, especially when I was drunk or I had a great gig). I mean that in bygone days looking at these groups as to the real artists, complete, only less fortunate: too bad if the rest of the world they would be ignored: it was great art. we knew it. I say this without fear of being ashamed, there was a time when rock 'n' roll was the center of life for many people. I told center. maybe I was a dreamer, perhaps I could simply excited about certain things that now I do not say anything. play between the tavern and bar on the tone (not her real name) I do not care anymore. I horror of a small company that is becoming mature and want nothing to do with a little world where musicians, to have put a bit of success with some agency succhiasoldi must translate the name in English. I do not want to have more to do with swindling various contests, prizes, more or less makeshift stage, musicians who do not make you feel their songs until they are registered at SIAE, local treat you like shit. must look in the mirror at some point, and understand this: we had the opportunity to do something different. and there we had all this time. was there. just choose to do only one more step when the time was right.
we sent fuck off, more or less everyone.

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Dessert Dossier: The happy ending

February 1, at 15. Like any self-respecting identity Golose tale ends with a happy ending. Dossier Desserts, made in collaboration with Valrhona this year addressed the issue of 'sharing', divided by four outstanding performers: Corrado Assenza, Gianluca Drum , Thierry Bridon and Camille Lesecq . Introduce this afternoon session Paolo Marchi Chiriotti and Livia, editorial director of the International Pastry . I can, with a strange dance between the chairs, to sit in the front row did not want to miss the first duet, Italy. Corrado Assenza had already had the pleasure to meet him and talk at the presentation of the guide Foodies Taste of the City of Rome, but Gianluca frame was for me a new entry.

The leitmotif of the duet No-Frame is the eternal dichotomy between pastry and confectionery food laboratory. The No-thought is already known to many: his idea of \u200b\u200bsharing primary, the sharing of material, ingredient by peasants, farmers, and beekeepers all microproduttori quality. We will be previewing the sweet 'Today lentil', name and ingredients that do not impress those who know the work of Absence: 'nature is not sweet or savory: These are categories apply to humans'. He says he got the shock in Abruzzo: Castelnuovo lentils are grown next to a deciduous forest. The only antagonist to its growth, he says, 'are not men, but the wild boars'. Said the ingredients are the protagonists: lentils, cow iblea ricotta, almond Roman of Noto and cocoa. Not the chocolate, mind you, No wants to return to the substance, the raw material. The result is a sweet but not sweet, by the geometric features and tones the late autumn. For

Gianluca Frame there is no real division between the laboratory and pastry catering, says 'techniques, the head and heart are the same'. The pastry can be both, not by chance that the cake has called Meet . Meet around a table, be it home or restaurant table as a vector of human relations 'table where you can discover through the gentle interaction, conviviality and creativity'. At the base of the frame work are rigorous technique and respect for the ingredient. First, the chocolate, hence the 'ivoire el' Orizaba of Valrhona. The cake is a geometric pattern: a rectangle of biscuit with hazelnut mousse overlapping blocks of light and cream to Orizaba 'ivoire and hazelnut. Cylinders of apple Royal Marine in oil, a scoop of mascarpone sorbet and coffee and two comma coffee jelly and lemon zest for the game complete. The same preparation is given to the flat version of 'cake'.

The duet of the Alps Bridon-Lesecq look forward to. Thierry Bridon, chef 's école du Grand Chocolat Valrhona replaces Frédéric Bau, unable for family reasons. Lesecq Camille, and from the look so young, is pastry chef at the age of 28 years tristellato Hotel Le Meurice in Paris. Working alone in the dining room, shoulder to shoulder, demonstrating great skill. We assist in all stages of preparation of desserts, everything is live, not There is nothing already, already cooked, ready. Bridon impresses us with the use of the vegetables 'Pour les botaniques the n'ya pas des Differences entre les legumes et les fruits: c'est une difference here font les chefs et les pàtissiers'. His desserts, zig-zag, pepper apple tatin and the third called Livia in honor of his partner Livia Chiriotti, contemplate the use of carrots, peppers and eggplants in combination with chocolate, crunchy and delicious cream sablés. The result is a stunning mix of colors and flavors in unexpected ways.

Lesecq, precision and amazing technicality, it proposes a dissertation on the same ingredient: apple through three desserts, the pomme d'amour (created not by chance for Valentine's Day, and soon became one of his must), the crocquante and pomme pomme founding. His philosophy is that everything must be edible here is that the swab from the marsh mallow pistachio is actually done in cream and brown leaves of the apple pulp are miniature cigarette. La pomme crocquante is a shell of meringue into a sorbet and a brunoise of Granny Smith covered by another dome of lemon souffle. Leaves of granulated sugar finish the picture of what really seems like a small yellow apple. Finally, the pomme d'amour , small Golden apple balls, marinated in raspberry juice, vanilla and lemon and then glazed, are set on small discs of sablés Breton decorated and also how small and precious red apples.

are endless suggestions and ideas that I gathered at the end of the day. I reflect on while trying to get me off all'affollatissimo buffet offered by Valrhona: there is no sweeter way to end a trip and expect to start another.

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days are a little fools.

will be the early spring. There are moments in which I believe to be left alone to operate a minimum of independence of mind, out here. I hope that what happens to you: these are days in which to be disoriented, indifferent, deserters is the best that could happen to us. is the most tangible sign of our nobility. let cocks vie for the hen house, we have them locked in there long ago.
some days are fools, do not you think?

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return to the fold. Photos from Identity Golose 2011

missing from this place about two months. And that's no longer a vuto like writing, indeed. And 'there are times in life so intense as to be overwhelmed by thousands of stimuli without being able cultivate or to follow any of them. I really wanted to update you on developments in the food and wine master's degree in journalism that I am following the Gambero Rosso, but again I could do little. Now we are almost running out and I must say I feel the need to do some 'of the situation, including blogs.

I start to write here (in the past few months I was on the blog Happy Town made in Gambero Rosso), and I do a small photo report from Identity Golose 2011. I anticipate the publication of a small digression on Dossier Dessert, pastry in the usual event dedicated to the congress of haute cuisine. How can I imagine it was for me the person most awaited!

I leave the pictures ^ _ ^

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(I have to go back every day father)

did not go by time but the broom continued to grow between the stones of indifference
equal along the cracks of the lava
inks go back up to find the words to be able to say something more

-hair, are different, white ... -

false and real, I approached the shelter of the mind Crazy For when the absence
when the smoke thickened eucalyptus behind the banks of memories when I laughed and laughed
or naive sprung from the hands of the surrealists

-shoulders also seem bent ... -

the wandering life to sip at a time
media episodes by surrounding walls and gates to give and withhold
not counting the small change that makes life a continual waiting

-smile, smile ... there is no more -

I come back every day in the clearing where I can meet you and tell you
father-but-you know the emptiness of the empty cavity unlawful
eye pierced by a sun that is not to cheeky aside

-and even voice ... -

calendars, such as brooms, continue to fill
signs and other children are already grown
misery on the road while a tin moon follows me step by step

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theme: how long a year?

development: a solar year is trecentossessantacinque long days and a few hours (roughly, we will refer here only to its full size and neglecting the rest that is ultimately recovered in the leap year). ie, 8760 hours. or, if you like, 525,600 minutes. if they can appreciate the time in seconds, reaching the remarkable figure of no less than 31,536,000. considered, by the way, that life expectancy is "only" two billion three hundred million seconds. I know that anxiety, but it would be the worst way to have them go, to sit down and count them.

this regard to the objective part (even if his friend Einstein would have something to say, I guess). There is also a subjective part of the same year. if you imagine your life compared to the present day (hence the equivalence 1 year = 1 day) that you will not live 75 days (hopefully). here: A year is such a seventy-five days. Not much, actually. But you have to think that these 75 days) most of them spent working and b) the weekend that will remain, almost all will be ruined by bad weather.

there are other little things, for example. one year is an absurd term for any military campaign: Hitler conquered Europe more or less in a year. It 's true that a war lasts, from experience, half a decade. But it is also true that in one day, in Verdun, one hundred thousand soldiers died. Vagliela to explain to them the importance of time, and that one year is not much. a year is absurd for a period an employment contract, it said in passing . a year is the time it takes, in order, a good group to write an album of thirteen songs and take them to Italy. one year is more than a football league, of course. is also half the time it takes to reach Mars, Bowie take notes. In one year, a female rat can lay ten children, sorry if it is little.

For dogs, once they told me, one year equals seven of our life. Schopenhauer And he knew it.